"The youngest ever winner of the Griffin Prize mines his own personal history to reconcile the world he was born into with the world that could be.
Billy-Ray Belcourt's debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. From there, it expands to encompass the big and broken world around him, in all its complexity and contradictions: a legacy of colonial violence and the joy that flourishes in spite of it, first loves and first loves lost, sexual exploration and intimacy, a nd the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us."
- Penguin Random House Canada
"This updated edition of Native Seattle brings the Indigenous story to the present day and puts the movement of recognizing Seattle's Native past into a broader context. Native Seattle focuses on the experiences of local Indigenous communities on whose land Seattle grew, accounts of Native migrants to the city and the development of a multi-tribal urban community, as well as the role Native Americans have played in the narrative of Seattle."
- Elliot Bay Book Company
"At the dawn of the twenty-first century, America finds itself on the brink of a new racial consciousness. The old, unquestioned confidence with which individuals can be classified (as embodied, for instance, in previous U.S. census categories) has been eroded. In its place are shifting paradigms and new norms for racial identity. Eva Marie Garroutte examines the changing processes of racial identification and their implications by looking specifically at the case of American Indians."
- University of California Press
"Fundamentally questions prevailing ideas of settler colonialization and Indigenous resistance
Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. He examines an alternative politics, seeking to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition.
While Red Skin, White Masks focuses on Indigenous experiences in Canada, it is immediately applicable to understanding the false promise of recognition, liberal pluralism, and reconciliation at the heart of colonial relationships between Indigenous peoples and nation-states elsewhere. Glen Sean Coulthard is able to bring a remarkably distinctive and provocative look at issues of power and opposition relevant to anyone concerned with what constitutes and perpetuates imperialist state formations and what Indigenous alternatives offer in regards to freedom."
- University of Minnesota Press
"In “Tulalip, from My Heart,” Harriette Shelton Dover describes her life on the Tulalip Reservation and recounts the myriad problems tribes faced after resettlement. Born in 1904, Dover grew up hearing the elders of her tribe tell of the hardships involved in moving from their villages to the reservation on Tulalip Bay: inadequate food and water, harsh economic conditions, and religious persecution outlawing potlatch houses and other ceremonial practices.
Dover herself spent ten traumatic months every year in an Indian boarding school, an experience that developed her political consciousness and keen sense of justice. The first Indian woman to serve on the Tulalip board of directors, Dover describes her story in a personal, often fierce style, revealing her tribe’s powerful ties and enduring loyalty to land now occupied by others."
- Indian Country Books
"How to build Indigenous resistance movements that refuse the destructive thinking of settler colonialism
Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking. She makes clear that the goal of Indigenous resistance can no longer be cultural resurgence as a mechanism for inclusion in a multicultural mosaic, calling for unapologetic, place-based Indigenous alternatives to the destructive logics of the settler colonial state."
- University of Minnesota Press
"Most Native Americans in the United States live in cities, where many find themselves caught in a bind, neither afforded the full rights granted U.S. citizens nor allowed full access to the tribal programs and resources—particularly health care services—provided to Native Americans living on reservations. A scholar and a member of the Winnebago Tribe of Nebraska, Renya K. Ramirez investigates how urban Native Americans negotiate what she argues is, in effect, a transnational existence. Through an ethnographic account of the Native American community in California’s Silicon Valley and beyond, Ramirez explores the ways that urban Indians have pressed their tribes, local institutions, and the federal government to expand conventional notions of citizenship.
Ramirez’s ethnography revolves around the Paiute American activist Laverne Roberts’s notion of the “hub,” a space that allows for the creation of a sense of belonging away from a geographic center. Ramirez describes “hub-making” activities in Silicon Valley, including sweat lodge ceremonies, powwows, and American Indian Alliance meetings, gatherings at which urban Indians reinforce bonds of social belonging and forge intertribal alliances. She examines the struggle of the Muwekma Ohlone, a tribe aboriginal to the San Francisco Bay area, to maintain a sense of community without a land base and to be recognized as a tribe by the federal government. She considers the crucial role of Native women within urban indigenous communities; a 2004 meeting in which Native Americans from Mexico and the United States discussed cross-border indigenous rights activism; and the ways that young Native Americans in Silicon Valley experience race and ethnicity, especially in relation to the area’s large Chicano community. A unique and important exploration of diaspora, transnationalism, identity, belonging, and community, Native Hubs is intended for scholars and activists alike."
- Duke University Press
"The first history of the United States told from the perspective of Indigenous peoples
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.
With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”
Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.
An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature."
- Beacon Press: Igniting Hearts & Minds
"In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian–White relations in North America since initial contact. Ranging freely across the centuries and the Canada–U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.
Suffused with wit, anger, perception, and wisdom, The Inconvenient Indian is at once an engaging chronicle and a devastating subversion of history, insightfully distilling what it means to be “Indian” in North America. It is a critical and personal meditation that sees Native American history not as a straight line but rather as a circle in which the same absurd, tragic dynamics are played out over and over again. At the heart of the dysfunctional relationship between Indians and Whites, King writes, is land: “The issue has always been land.” With that insight, the history inflicted on the indigenous peoples of North America—broken treaties, forced removals, genocidal violence, and racist stereotypes—sharpens into focus. Both timeless and timely, The Inconvenient Indian ultimately rejects the pessimism and cynicism with which Natives and Whites regard one another to chart a new and just way forward for Indians and non-Indians alike."
"One of The New York Times 10 Best Books of the Year and winner of the PEN/Hemingway Award, Tommy Orange’s wondrous and shattering bestselling novel follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle’s death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American—grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism. Hailed as an instant classic, There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.
One of the Best Books of the Year: The Washington Post, NPR, Time, O, The Oprah Magazine, The Dallas Morning News, GQ, Entertainment Weekly, BuzzFeed, San Francisco Chronicle, The Boston Globe"
- Elliot Bay Book Company
" 'God is Red: A Native View of Religion – 30th Anniversary Edition' is a provocative book that challenges the hypocrisy of Christians who idly stood by as American Indians were mercilessly and savagely killed by non-Indians out of pure greed for land."
- Tribal Nations Maps
"Haslihail and Osiyo! Welcome to All My Relations, a podcast where we explore what it means to be a Native person in 2019. To be an Indigenous person is to be engaged in relationships—relationships to land and place, to a people, to non-human relatives, and to one another. All My Relations is a place to explore those relationships, and to think through Indigeneity in all its complexities.
On each episode hosts Matika Wilbur (Tulalip and Swinomish) and Adrienne Keene (Cherokee Nation), delve into a different topic facing Native peoples today, bringing in guests from all over Indian Country to offer perspectives and stories. We dive deep, play some games, laugh a lot, cry sometimes, and hope that you’ll join us on this journey together.
The podcast came from a desire to have more Indigenous voices accessible in mainstream media—both Matika and Adrienne are surrounded every day in life and work by brilliant Native folks who are fighting and resisting settler colonialism, while also celebrating and uplifting their communities and cultures. The majority of Americans never see this side of Indian Country, and instead only see stereotypical Hollywood Indians set in the historic past or sad, dark poverty porn. We want to offer an alternative, to move beyond bland stereotypes and misrepresentations, and engage in the messy, beautiful, and complicated parts of being Indigenous. We want this space to be for everyone—for Native folks to laugh, to hear ourselves reflected, and give us a chance to think deeper about some of the biggest issues facing our communities, and for non-Native folks to listen and learn.
Our first season covers a wide range of topics from food sovereignty to Native mascots, fashion, literature, sex, relationships, DNA, identity, politics, and more. We talk with incredible guests like Kim Tallbear, Jessica Metcalfe, Stephanie Fryberg, Deborah Parker, Valerie Seagrest, Billy Ray Belcourt and Joshua Whitehead, and so many more. We can’t wait to share our conversations with you.
Wado and t̕igʷicid!"
- All My Relations
"From day one, MEDIA INDIGENA’s raison d’etre has been to inspire and conspire with those sharing our passion for advancing the well-being of Indigenous peoples.
Our ultimate ambition is to augment the podcast with a series of face-to-face MEDIA INDIGENA events. In the same way we create and curate content on our site and social media, we intend to organize or jointly sponsor an ongoing series of quality, Indigenous-oriented events.
We also seek to supplement the experiential with the more material: as fans of Indigenous creative expression, we want to both highlight the works of others and contribute our own, from apparel to art to food and beyond.
Driven by the mission to originate and celebrate a wealth of distinct, Indigenous-led experiences both on-line and off, our larger vision is to catalyze these conversations and connections into community; to bring together the people who share our vision, from trendsetters and taste-makers to thought leaders. We hope it’s a vision you’ll consider worthy of support."
- Rick Harp, Editor-in-Chief
"After contact, Indigenous foodways and knowledge were devastated, nearly destroyed and replaced with foods that are far from the people. So today, I’m talking to Native chefs and foodies about what Indigenous cuisine is, where it comes from, where it’s headed and how it’s used to connect them and their communities to their origins and traditions.
This podcast is hosted by me, Andi Murphy. I started the Toasted Sister Podcast in January 2017 and talked with dozens of Indigenous people across the country about food. This is an award-winning podcast. It got first place for general excellence (in the professional division II) in radio and podcasting at the Native American Journalists Association 2019 National Native Media awards."
- Andi Murphy