Teaching and Research Interests

Welcome Statement: I began as a student of Romanticism and the lyric, but a number of factors, including acute hay fever, pushed me quickly into modernism. The focus of my doctoral work was early 20th-century British and American literature and time philosophy. I am also interested in race and atavism, models of history and identity in cultural and ethnic studies, and time-travel narratives. I have a real weakness for popular culture, especially bad Hollywood films and love songs.

Recent Courses
Modernism in Art and Literature; Modernism, Time Travel, and Alternate Histories; Asian American Literature; What Is “Ethnic” American Literature?;  Literary and Cultural Theory: History and the Deep Future


Recent Publications

• "Time Machines and Timelapse Aesthetics in Anthropocenic Modernism,” forthcoming in Timescales: Ecological Temporalities Across Disciplines, edited by Bethany Wiggin, Patricia Kim, and Carolyn Fornoff, University of Minnesota Press, 2018.
• "Second Modernism and the Aesthetics of Temporal Scale,” forthcoming in Modernism and the Anthropocene, edited by Jon Hegglund and John McIntyre, Ecocritical Theory and Practice series, Lexington/Rowman and Littlefield, 2018.
• "Technology and Time:  Clocks, Time Machines, and Speculation,.” forthcoming in Time and Literature: Cambridge Critical Concepts, edited by Thomas Allen, Cambridge University Press, 2018, pp. 166-79.
• "Baddest Modernism: the Scales and Lines of Inhuman Time.”  Modernist Inhumanisms, special issue of Modernism/Modernity 23.3 (2016): 515-38.
• "Modernism, Time Machines, and the Defamiliarization of Time.”  Configurations 23.1 (Winter 2015):  93-121.
• "Modernist Heterochrony, Evolutionary Biology, and the Chimera of Time.” This Year’s Work in the Oddball Archive, edited by Jonathan P. Eburne and Judith Roof, Indiana University Press, 2015, pp. 247-77.

DOWNLOAD: Charles Tung CV

Education

B.A., Georgetown University
M.Phil., Oxford University
Ph.D., University of California, Berkeley