Ken Allan, PhD

PhD, Art History

Associate Professor, Art History

Phone: 206.296.5369

Building/Room: Fine Arts 216


PhD, University of Chicago, 2005
MA, University of Chicago, 1998
AB, Washington University in St. Louis, 1994

Modern & Contemporary Art History


Kenneth Allan CV

Ken Allan teaches courses on modern and contemporary art and specializes in American art of the 1960s. Recent upper-level courses and seminars include, “Space and Site in Contemporary Art” and “Trauma, Image, Text: History & Representation after WWII.” His research focuses on the rise of the Los Angeles art scene in the 1960s and issues such as urbanism and spectatorship in postwar American art. His work has been supported by the Archives of American Art/Smithsonian Institution, The Terra Foundation of American Art and the American Council of Learned Societies/Henry Luce Foundation. Allan currently serves as the Associate Director of the Study of the U.S. Institute: Contemporary American Literate and Culture at Seattle University, an initiative funded by the U.S. Department of State.

Allan’s work on Ed Ruscha, Wallace Berman and others has been published in journals such as The Art Bulletin, Art Journal, X-Tra Contemporary Art Quarterly and the book Pacific Standard Time: Los Angeles Art, 1945-1980 (Getty Publications, 2011). He has also written essays for exhibition catalogs such as American Aleph: Wallace Berman (Kohn Gallery/D.A.P., 2016), Pop Departures (Yale, 2014) and The City Lost and Found: Capturing New York, Chicago and Los Angeles, 1960-1980 (Yale, 2014). He has been invited to speak on art in 1960s Los Angeles at The Art Institute of Chicago, The Getty Center and The Center for Creative Photography, University of Arizona. Allan has presented his work at conferences in the UK, Canada and the US and was a member of the advisory committee for Getty Museum exhibition “Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970.”

Select Journal Articles:

Ken D. Allan, “Ed Ruscha, Pop Art and Spectatorship in 1960s Los Angeles,” Art Bulletin, Vol. 92, No. 3 (September 2010), pp. 231-249

Ken D. Allan, “City of Degenerate Angels: Wallace Berman, Jazz and Semina in Postwar Los Angeles,” Art Journal, Vol. 70, No. 1 (SPRING 2011), pp. 70-91

Recent Courses:

ARTH 4610: Space & Site in Contemporary Art
ARTH 3510: Trauma, Image, Text: History & Representation after WWII
ARTH 3500: Art since 1945: Foundations of Contemporary Art & Criticism
ARTH 2120: The Status of the Artist: Renaissance Intellectual & Modern Social Critic